French-speakers dismiss their local cinema

A rough but moving humour, surrealism and royalty, those are some features that probably build Belgian culture and may be reflected in the national cinema. Yet, if you don't know about it, you will have a hard time trying to find common features between all films produced in this country. This intricacy is due to a cultural difference between Flemish and French-speakers, once again! In fact, each linguistic community's vision of itself is reflected on how they make and watch films.

Flemish people tend to watch less often Dutch channels, favouring their own Flemish ones, which promote local films and make them proud of their community. An example of the way Flemish film-makers tell the world about their own history is 1992 film Daens, which deals with the misery side of Flanders during industrialisation time and the hand given by local bishop Daens, who created the Christian Socialist party.

Also, Flemish film-makers try to make films that can be easily exported. As a consequence, their cinema seems to be closer to English-language cinema and American remakes of them often come as a reward for their success. An example is Ben X (2007), in which a bullied teenager tries to escape real life through online games. Other significant Flemish films include The Misfortunates (2009), which is about drugs, crimes and... riding a bike naked(!), and Bullhead (2011), which deals with a Limburg farm and a murder case...

In comparison, French-speakers in Belgium identify themselves to their country as a whole and less often to their linguistic community. French-language Belgian films lack means and money, and are less valorised. Being often documentaries or auteur films with a social side, they appear less "exotic" to Belgians (but maybe culturally enriching to foreigners). Some were made by the Dardenne brothers and received awards (e.g. The Child), but they may be depressing because they show the 'sad' side of Belgium.

Very clearly, over Belgian TV-channels people prefer French ones, which only promote French films. Yet, it is often the case that Belgian actors play in French films or that these films are co-produced by Belgium and shot in this country, for instance Nothing to Declare (2010), a comedy about a French and a Belgian custom man having a fight.

It is not true, however, that French-language Belgian films cannot leave their mark on the history of cinema. For example, an alien, Man Bites Dog (1992) is a disturbing comedy shot as a fake documentary depicting a serial killer who explains the art of killing people. Another one, The Eighth Day (1996) has as main character a man with Down's syndrome (some people may find similarities with Forest Gump...).

Now I suggest you go to the DVD store and order some nice Belgian film!